DAVID ZHENG • FLUTTER

Flutter is my new photographic series and artist book, featuring  photographs of mountain landscape from various sites. Approaching the subject matter with an emphasis on form, composition and textures, the work is a suggestion towards a feeling and emotion rather than a specific place. 

The title Flutter draws inspiration from watching nature documentaries and learning of birds fluttering their wings in symbolic gestures to communicate with one another. After the death of my mother in 2023, and the overwhelming emotions I experienced in grief, the work I created in 2019 began to take on a new resonance. The emotional turbulence I experienced during that time mirrored the organic forms of nature I had captured— the low frequency vibrations of the landscape expressed through the natural grain of 35mm film, unsettling yet beautiful. Perched on the hiking trail, sensing the Bay Area's volatile climate, feeling its transient power, like the flutter of a small bird's wings in the wind.


This work also marks a pivotal moment in my darkroom printing practice, where I sense a shift toward new directions. In an effort to expand my vocabulary of light on paper, I am embracing less conventional printing methods. Through these materials, I seek to convey the essence of Flutter—a delicate yet intense motion, fleeting yet profound—forming a visual language that extends beyond the realm of representational photography.

The artist book is hand bound and self published by the artist and is made in a limited first editon of 250 copies.

Working in my darkroom, on a 40x26 inch piece from Flutter.

Video Credit: Mantai Chow

About

David Zheng (b. 1985) was born and raised in the Lower East Side of New York City. Largely self-taught and having worked in various artist studios (including with Renato D'Agostin in 2018), his photography explores the dynamics between the environment and its inhabitants. Rather than focusing on narrative or the direct representation of reality, Zheng gravitates towards form and abstraction to suggest these relationships. His practice, which is rooted in analog photographic processes, is driven by a fascination with the materiality of the medium and the delicate balance between chance and control.

Best known for his black and white analogue work and photo books, he has published three books, several of  which are held in library collections such as the Metropolitan Museum of Art, New York Public Library, and the Center for Book Arts. In 2022, David was awarded the Corky Lee Image of Hope award by the New York State Assembly Member, recognizing the impact on the NYC Lower Manhattan community through the Arts with his works, Where Did All the Flowers Go? and Some Chinatown Portraits.

David works out of his darkroom in Brooklyn, NY.